Book: Pugh, P. D. Gordon. 1987 Staffordshire Portrait Figures of the Victorian Era.
• Similar example: p. H490, fig.3. Attributed to Sampson Smith.Book: Harding, Adrian & Harding, Nicholas. 1998 Victorian Staffordshire Figures 1835-1875. 1.
• Similar example differently painted: p. 128, fig. 319P, noting oddly paired with Garibaldi since his 1864 visit to England matched Shakespeare's tricentenary (birth).Book: Reilly, Robin. 1989 Wedgwood.
• Wedgwood basalt Milton and Shakespeare (after same source): vol. II, p. 757, no. 1248, marked WEDGWOOD with names impressed on plinths. c. 1870Book: Reilly, Robin. 1989 Wedgwood.
• Enameled pearlware bust of Shakespeare: vol. 1, col. pl. C70, attributed to Ralph Wood and impressed "WEDGWOOD.", C. 1785.Catalogue: Temple Newsam House, Leeds & Temple Newsam House, Leeds. 1974 The Man at Hyde Park Corner: Sculpture by John Cheere 1709-1787 (exhib. cat. May 5- June 15, 1974).
• Bronzed plaster copy, probably by John Cheere, of P. Sheemakers 1740 statue for the Westminster Abby monument to Shakespeare. See for further references.Book: Halfpenny, Patricia A. 1991 English Earthenware Figures, 1740-1840.
• Earlier version of similarly posed figure, enameled pearlware: p. 181, c. 1810-20Catalogue: Bonhams (auction catalogue).
• Derby porcelain full-length versions of Milton and Shapespeare: September 9, 2009 (London), lot 223, Derby, c. 1780, the Shakespeare plinth with applied busts of Richard II, Elizabeth I and Henry V.Book: Read, Herbert. 1929 Staffordshire Pottery Figures.
• More delicately modelled earthenware version with details in gold and black enamel: pl. 68, c. 1840Book: Halliday, Rosemary & Halliday, Richard. 2012 Extraordinary British Transferware: 1780-1840.
• Blue transferprinted mug with Shakespeare portrait after same design inspiration (Poet's Corner, Westminster Abbey): p. 193, c. 1830