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For internal use only
On Display: House - Billiard Room South Alcove
Print (Lithograph)
UNITARIAN CHURCH/ Philadelphia.
William L. Breton, Kennedy & Lucas
1829-1829
Category
Prints and Maps
Creator/Artist/Maker
William L. Breton (Draftsman)
Place of Origin
Philadelphia; Pennsylvania; Philadelphia; Mid-Atlantic; United States; North America
Materials
- Ink
- Paper (wove)
Museum Object Number
1975.0245
Credit Line/Donor
Museum purchase with funds provided by the Claneil Foundation
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Complete Details
Object Number
1975.0245
Object Name
Print (Lithograph)
Title
UNITARIAN CHURCH/ Philadelphia.
Category
Prints and Maps
Creator (Role)
William L. Breton (Draftsman); Kennedy & Lucas (Lithographer)
Place of Origin
Philadelphia; Pennsylvania; Philadelphia; Mid-Atlantic; United States; North America
Date
1829-1829
Mark/Signature/Inscription/Label
Type: Inscription
Location: Lower left, within image
Inscription: W L Breton
Type: Inscription
Location: Lower right, beneath image
Inscription: Kennedy & Lucas' Lithography.
Mark/Signature: Yes
Subject(s)
- Building view
- City view
Materials
- Ink
- Paper (wove)
Techniques
- Lithography
Dimensions (inches)
9.6 (H) x 12.8 (W) x 7.3 (Image H) x 10.9 (Image W)
Dimensions (centimeters)
24.3 (H) x 32.4 (W) x 18.6 (Image H) x 27.6 (Image W)
Measurement Notes
H at left. W at bottom.
Publisher Summary
Kennedy & Lucas
Publisher Date
01/01/1829
Place of Publication
Philadelphia, Philadelphia County, Pennsylvania, Mid-Atlantic, United States, North America
Publisher Name
Kennedy & Lucas
Bibliography and Bibliographic Notes
Book: Fowble, E. McSherry. 1987 Two Centuries of Prints in America, 1680-1880 : A Selective Catalogue of the Winterthur Museum Collection.
• Published: no. 294, p. 416.Book: Wainwright, Nicholas B. 1958 Philadelphia in the Romantic Age of Lithography.
• Print listed as cat. no. 413, p. 225.Book: Peters, Harry Twyford. 1931 America on stone: the other printmakers to the American people; a chronicle of American lithography other than that of Currier & Ives, from its beginning, shortly before 1820, to the years when the commercial single-stone hand-colored lithograph disappeared from the American scene:.
• See p. 249.