Although once thought to be an early, quirky example of David Rittenhouse’s clockmaking practices, scholars have thoroughly debunked this wishful attribution. The movement, dial, and case were assembled with the intent to deceive.
Category
Clocks, Watches, and Scientific Instruments
Creator/Artist/Maker
David Rittenhouse (Inspiration for fake)
Place of Origin
Norristown; Pennsylvania; Montgomery; Mid-Atlantic; United States; North America
Materials
Tulip poplar
Oak, white
Paint
Brass
Copper
Lead
Iron
Zinc
Silver
Tin
Museum Object Number
1966.0694 A, B
Credit Line/Donor
Bequest of Henry Francis du Pont
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Complete Details
Object Number
1966.0694 A, B
Object Name
Clock (Tall clock)
Category
Clocks, Watches, and Scientific Instruments
Creator (Role)
David Rittenhouse (Inspiration for fake)
Place of Origin
Norristown; Pennsylvania; Montgomery; Mid-Atlantic; United States; North America
Date
1850-1929
Mark/Signature/Inscription/Label
Type: Signature
Location: Dial, lower center
Inscription: "David Rittenhouse. - Norriton." engraved in script
Type: Inscription
Location: Dial, reverse side
Inscription: "Repaired / 1-12-1923 / W.E. Emory / Washington D.C." and "1-12-1923" lightly engraved
Type: Inscription
Location: Case, trunk door, interior
Mark/Signature: Yes
Materials
Tulip poplar
Oak, white
Paint
Brass
Copper
Lead
Iron
Zinc
Silver
Tin
Dimensions (inches)
78.25 (H) x 14.5 (W) x 8.25 (D)
Dimensions (centimeters)
198.755 (H) x 36.83 (W) x 20.96 (D)
Measurement Notes
OW and OD at cornice. W (base) 12.875 in. (32.6 cm); D (base) 7.75 in. (19.6 cm).
Pendulum rod overall length: 42.5 inches. Dial: 8 inches diameter.
In 1990 the conservation lab's XRF analysis of the clock dial brass indicated the following results: Copper 67.59%, Zinc 25.13%, Lead 6.67%, Iron 0.56%, Silver 0.03%, and Tin 0.02%.