Book: Cooper, Wendy A. 2002 An American Vision: Henry Francis du Pont's Winterthur Museum.
• Published: with chest 55.95.1 as fig. 2, 121-3.Article: Evans, Nancy Goyne. 02//1973 Documented Fraktur in the Winterthur collection, Part I. Antiques. 103 (2): 307-18.
• Published: fig. 10, p. 312 and 314.Book: Ames, Kenneth L. 1977 Beyond Necessity: Art in the Folk Tradition.
• Published: fig. 61, p. 60.Article: Mass, Jennifer, et al. 09//2005 Materials of the Pennsylvania German Fraktur Artist. Antiques. 168 (3): 128-135.
• Published: with chest 55.95.1 as plate 1.Book: Earnest, Russell D. & Earnest, Corinne P. 1997 Papers for Birth Dayes: Guide to the Fraktur Artists and Scriveners. 2 vols. 909.
• For more info. on Speyer, see pp. 722-725.Article: Pieska, Christa. 1989 "The European Origins of Four Pennsylvania German Broadsheet Themes: Adam and Eve; The New Jerusalem-the Broad and Narrow Way; The Unjust Judgement; the Stages fo Life". Der Reggeboge: Journal of the Pennsylvania German Society. 23 (1): 6-32.
• On the Adam and Eve theme on broadsides, see pp. 10-13.Book: Minardi, Lisa. 2015 Drawn with Spirit: Pennsylvania German Fraktur from the Joan and Victor Johnson Collection.
• Published: p. 31, fig. 2-21.Book: Gilgenast, Trudy E. 2010 Pennsylvania German Broadsides: Reflection of Daily Life 1741 - 1890.