Ceramics
Spode factory (Maker)
Stoke-On-Trent, Staffordshire, England, United Kingdom, Europe
1808-1820
Porcelain (soft paste, bone china); Lead glaze
Molded, Painted, Gilded
2004.0058.003
Object Number2004.0058.003 |
Dish
Ceramics
Gift of Starr Moore
Spode factory (Maker)
1797-1838
Stoke-On-Trent, Staffordshire, England, United Kingdom, Europe
1808-1820
1. Mark; Underside; "Spode No. 1291" is painted in iron- red
Porcelain (soft paste, bone china); Lead glaze
Molded, Painted, Gilded
1.8 (H) , 10.5 (L) , 7.4 (W)
4.5 (H) , 26.6 (L) , 18.7 (W)
Text available soon.
[Book] Wilkinson, Vega. 2002 Spode-Copeland-Spode: The Works and its People 1770- 1970.
• Spode mark dated as around 1800-20: p. 280, "1291" pattern date listed as first used 1808-9: p. 282
[Book] Ayers, John, et al. 1990 Porcelain for Palaces: The Fashion for Japan in Europe.
• Meissen dish as prototype for border and central reserve designs: p. 268, no. 307, c. 1740, noting direct imitation of Japanese Imari dish. Crossed swords and "K" underglaze blue mark.
[Book] Ayers, John, et al. 1990 Porcelain for Palaces: The Fashion for Japan in Europe.
• Japanese porcelain dish as prototype for border and central reserve designs: p. 224, no. 237, 1710-30
[Book] Emerson, Julie, et al. 2000 Porcelain Stories: From China to Europe.
• Late 17th century Imari (Arita) porcelain dish painted in similar style: p. 180, pl. 12.29, showing inspiration for Winterthur dish style gilding, scrolls, etc.
[Book] Pietsch, Ulrich. 2011 Early Meissen Porcelain: The Wark Collection from the Cummer Museum of Art & Gardens.
• Two dining plates and oval dish bearing very similar style ornament: pp. 322-23, nos. 347-48, c. 1740, noting similar wares made in faience at Warsaw factory.
[Book] Cummer Gallery of Art. 1984 The Wark Collection of Early Meissen Porcelain.
• Meissen dish as prototype for border and central reserve designs: p. 272, no. 689, blue crossed-swords and impressed 26 marks, c. 1740.
[Book] Castelluccio, Stephanie. 2013 Collecting Chinese and Japanese Porcelain in Pre-Revolutionary Paris.
• Discussion of Japanese kakiemon-style enameled decoration: pp. 76-85