1969.3327 Textile Panel
  • 1969.3327 Textile Panel
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Textile, printed

  • Title:

    The Union of France with America; America Paying Homage to France

  • Category:

    Textiles

  • Creator (Role):

    Jean-Baptiste Huet (Printer)

  • Place of Origin:

    Jouy-En-Josas, Île-de-France , France, Europe

  • Date:

    1785-1790

  • Materials:

    Cotton

  • Techniques:

    Woven (plain), Plate printed, Mordant style

  • Museum Object Number:

    1969.3327


  • Complete Details



Object Number

1969.3327

Object Name

Textile, printed

Title

The Union of France with America; America Paying Homage to France

Category

Textiles

Credit Line/Donor

Bequest of Henry Francis du Pont

Creator (Role)

Jean-Baptiste Huet (Printer)
10/15/1745-8/27/1811
Jean-Baptiste Huet was trained in the studio of Le Prince. He was accepted by the Academy in 1769 as a painter of animals. He started working for Oberkampf in 1783 with his design for Les Travaux de la manufacture (The activities of the factory) and continued until his death in 1811. Throughout his career his style changed as tastes changed. His first genre was pastoral painting around 1773. His next style consists of elements typical of the Louis XVI style. Then from 1796 his work gradually became more geometric. While working with Oberkamf he produced 32 different designs, plus another ten which remained in the preparatory stages. (Riffel, Melanie et. al., Toile de Jouy, 2003, pp. 42-45)

Place of Origin

Jouy-En-Josas, Île-de-France , France, Europe

Origin Notes

Jean-Baptiste Huet, of France's Oberkampf factory, created this printed design in the late eighteenth century.

Date

1785-1790

Mark or Signature or Inscription or Label

1. Label; Pinned on red tag; "Stratford / MyHoPPiste2 / T120 / study / 69.3327" [over] "dr 24 / T120 / study / 69.3327" (graphite, ink)

Materials

Cotton

Techniques

Woven (plain), Plate printed, Mordant style

Dimensions (inches)

57.125 (L) , 36.5 (W)

Dimensions (centimeters)

145.097 (L) , 92.71 (W)

Measurement Notes

Measurements are approximate due to the inherent variability of textiles.

Object Description

Text available soon.

Bibliography and Bibliographic Notes

[Article] Gril-Mariotte, Aziza & Warner, Pamela J. 2010 Topical Themes from the Oberkampf Textile Manufactory, Jouy-en-Josas, Frannce, 1760-1821. Studies in the Deocrative Arts. 17 (1): 35.
Discussion and images of fabric T120, pg. 171-174; 188-190.
[Book] Clouzot, Henri & Morris, Frances. 1927 Painted and Printed Fabrics : The History of the Manufactory at Jouy and Other Ateliers in France 1760-1815.
Design: No. 69, pl. XXV
[Book] D'Allemagne, Henry-René & Clouzot, Henri. 1942 La Toile Imprimée et les Indiennes de Traïte. II.
Design: pl. 144
[Article] Holden, Agnes J. 1939 Jean-Baptiste Huet; Master Designer of Toiles de Jouy. The Bulletin of the Needle and Bobbin Club. 23 (2): 31.
Design stages: pp 6-7
[Book] Storey, Joyce. 1974 The Thames and Hudson Manual of Textile Printing.
Information on mordant style, pp. 11-12
[Chapter] Bide, Martin. Secrets of the Printer's Palette, Colors & Dyes in Rhode Island Quilts [Book] Welters, Linda & Ordoñez, Margaret. Down by the Old Mill Stream: Quilts in Rhode Island. 83-121.
Information on mordant style, pp. 88, 101-104